The third collaboration of Academy Award nominee Keira Knightley with. Keira Knightley as Anna Karenina. Jude Law as Karenin. Aaron Taylor-Johnson. Anna Karenina (1935) cast and crew credits, including actors, actresses, directors, writers and more.
And in Anna Karenina Reception Writing for The Spectator in 1935, made much of Greta Garbo's powerful and theatrical acting in the film, noting that 'it is Greta Garbo's personality which 'makes' this film, which fills the mould of the neat respectful with some kind of sense of the greatness of '. Greene found that the that Garbo's acting brings to the picture overwhelms the acting of all supporting cast save that of Basil Rathbone. The film is recognized by in these lists:.
2002: – #42 Notes Garbo also was the lead in the 1927 version of Anna Karenina, released under the title. References.
Running time 108 minutes Country United States United Kingdom Language English Box office $2,196,650 Anna Karenina is a 1997 American written and directed by and starring,. Based on the by, the film is about a young and beautiful married woman who meets a handsome count, with whom she falls in love. Eventually, the conflict between her passionate desires and painful social realities leads to depression and despair. The film is the only international version filmed entirely in Russia, at locations in. Contents. Plot summary is a young and elegant wife of Alexei Karenin, a wealthy twenty years her senior.
She is unhappy and lives only for their son, Seriozha. During a ball in Moscow, she encounters the handsome Count Alexei Vronsky. Vronsky is instantly smitten and follows her to, pursuing her shamelessly. Eventually, Anna surrenders to her feelings for him and becomes his. Though they are happy together, their relationship soon crumbles after she miscarries his child. Karenin is deeply touched by her pain and agrees to forgive her.
However, Anna remains unhappy and, to the scandal of respectable society, she openly leaves her husband for Vronsky. Using her brother as an intermediary, Anna hopelessly begs her husband for a divorce. Karenin, under the poisonous influence of her friend the Countess Lydia Ivanovna, indignantly refuses to divorce and denies Anna any access to Seriozha.
![Anna Anna](/uploads/1/2/5/3/125352477/981863786.jpg)
![Anna Anna](/uploads/1/2/5/3/125352477/816155286.jpg)
Distraught by the loss of her son, Anna grows severely depressed and self-medicates with. Before long, she is hopelessly addicted. With Vronsky she has another child, but he is also torn between his love to Anna and the temptation of a respectable marriage in the eyes of society. Anna becomes certain that Vronsky is about to leave her and marry a younger woman. She travels to the railway station and commits by jumping in front of a train.
Vronsky is emotionally devastated by her death and volunteers for a 'suicide mission' in the. While travelling to join his regiment, he encounters at the train station. Levin has married Vronsky's former (and unrequited) sweetheart, Princess 'Kitty' Shcherbatsky. Levin attempts to persuade Vronsky of the value of life.
Vronsky, however, is now despondent, and can only speak of how Anna's body looked at the railway station when he arrived to see her. They separate, and Levin is left sure that he will never see again Vronsky, while the train departs. Levin returns to his family. At home, he writes the events of everything that happened, and signs his: '. Main article: Music by Tchaikovsky, Rachmaninov, and Prokofiev was recorded in performance by the under the baton of.
The score was recorded in The St Petersburg Philharmonic Hall, where Tchaikovsky's Symphony No. 6, 'Pathetique' first premiered. Incidentally, this symphony is played most prominently in key scenes from the film. Director Bernard Rose and Sir Georg Solti both agreed that the Symphony bore parallels with Anna Karenina's story, mainly for the music's excessively tragic tones and Anna's melancholy.
The film's score was composed. Critical response Review aggregate gives the film a score of 26% based on reviews from 19 critics, with an average rating of 4.7/10. Of the gave the film 1 and a half stars, saying ' There is much more to Tolstoy's story-but not in this bloodless and shallow adaptation. Bernard Rose is a director of talent (his 'Paperhouse' was a visionary film, and his 'Immortal Beloved' was a biopic that brought great passion to the story of Beethoven). Here, shooting on fabulous locations, he seems to have lost track of his characters.
The movie is like a storyboard for 'Anna Karenina with the life and subtlety still to be added.' References.